Addicted to love. Flower cultivator, flute player, verse maker. Usually delicate, but at times masculine. Well read, even to erudition. Almost an orientalist.

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Joined 3 years ago
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Cake day: June 9th, 2023

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  • Movies:

    • Rebel Moon. If you gave an AI the prompt: “A Star Wars movie written and directed by Zack Snyder but with all Star Wars copyrighted material disguised” this is what you’d get. I know that’s exactly what the movie was, minus the written by AI bit (though I wonder), but it felt almost like a parody of itself.
    • Aquaman and the Lost Kingdom. Mediocre, except for Patrick Wilson who elevated every soggy line he was given to read. They desperately wanted to recreate the Thor/Loki dynamic to the point where I thought in one scene I actually heard Aquaman call his brother “Loki”.
    • One Life. Schindler’s List if Schindler’s List focused more on the red tape needed to rescue people from the Nazis, and Oskar’s twilight years. Kidding aside, a decent movie, but more on the “worthy” end of the spectrum than the entertaining.
    • Poor Things. The best movie I’ve seen this year. May still be true 51 weeks from now.

    TV:

    • For All Mankind. I enjoyed the “retro” early seasons more, but it’s still a very watchable show, and one I still consider to be a Star Trek prequel if I squint and look at it slightly sideways. They certainly seem to be heading towards a Fundamental Declarations of the Martian colonies scenario this season. One of the few shows I’m watching week-by-week instead of saving up and bingeing.
    • A Murder at the End of the World. Well acted, somewhat slow moving murder mystery. Unfortunately I guessed the identity of the killer after two episodes, and thought both that, and a certain revelation about one of the characters, were overused tropes in the early 2020s.
    • Bodies. Decent crime mini series set across four time periods. I thought the more modern settings and characters were more interesting than the oldey timey (wimey) ones, but the show managed to bring all four storylines together in a pretty satisfying way.
    • Silo. Halfway through. Pretty good, but maybe not as good as I heard it was.

  • As others have pointed out, Foundation isn’t a particularly faithful adaptation of Asimov’s stories, but there good things in it. It might be more accurately titled Foundation and Empire IMO, because it focuses as much on the Empire side of the story as the Foundation. The first season was lopsided. The Empire plotline was compelling, the Foundation ones were… not. Haven’t watched the second season yet, but apparently it’s more consistent.


  • For All Mankind is the Star Trek prequel we should have had. Co-created by Ron Moore (Deep Space Nine, Battlestar Galactica), the show has a bunch of Trek alumni working behind the scenes. It features human drama (and sometimes melodrama), geopolitical diplomacy, sweeping cultural change and scientific adventure against the backdrop of a multi generational future history, starting with the first moon landing.


  • Fedilab is a Fediverse client for (according to the website) Mastodon, Peertube, Pixelfed, Pleroma, GNU Social and Friendica. You can also follow kbin users (and, I assume lemmy ones as well, though I haven’t tried). The app will allow you to manage several accounts on Mastodon, Peertube and Pleroma instances.

    You can block content by keywords or phrases (either hiding them with a warning or hiding them completely) but I don’t know if you can bulk upload keywords. (You can add several keywords/phrases at a time manually.)

    Unfortunately (for you) the app is currently only available on Android.







  • Honestly Dr.manhattan was kinda dumb. “Oh I need to stop humanity from nuking itself” meanwhile I demonstrate easy ability to travel to other planets.

    Doctor Manhattan’s ability to save the human race wasn’t the issue. He was basically a god. It was his willingness. He didn’t feel the need to stop humanity doing anything:

    A live body and a dead body contain the same number of particles. Structurally, there’s no discernible difference. Life and death are unquantifiable abstracts. Why should I be concerned?









  • Across the Spider-Verse Part 1 is one of the year’s best movies, but I think it could have benefited by cutting about 15 minutes. The pacing felt very deliberate. Scenes took their time to play out, which taken individually were all fine and justifiable, but cumulatively took their toll. In particular I felt that most of the action set pieces could have been trimmed a little here, a little there. That way, that huge action sequence towards the end, where Miles Morales goes up against the combined forces of spider-men, spider-women and other spider-beings (and which I do NOT think should be cut), would have had more of an impact.

    Dune, I’m really pleased to hear, is now a three-part movie, with Part 3 adapting Dune Messiah.


  • Both Dial of Destiny and Dead Reckoning had similar budgets (around $300M) and similar opening weekends (around $80M). But the reviews and audience reactions have been better for Mission Impossible. This suggests the movie will have longer legs than Indiana Jones. Undoubtedly Paramount is hoping that Dead Reckoning’s trajectory will be more like Top Gun Maverick’s (staggering) 5.66 multiplier and less like (say) Quantumania’s 2.02 multiplier.

    edit: The article also mentions that the global opening weekend box office numbers for Mission Impossible are a lot better than the numbers for Indiana Jones, at $235M (ie $80M domestic + $155M overseas) vs $130M (ie ~$85M domestic + only about $45M overseas). That said, it’s difficult to compare overseas numbers without a detailed breakdown of which markets each movie opened in. Mission Impossible may have played in more countries its first few days than Indiana Jones did.